Richard Tenzin Muller
It’s strange how important someone can become even when you have only communicated with them via email. I’m thinking of Richard Tenzin Muller who commissioned the 94 drawings of deities and meditation masters that were first published in a flimsy Nepali journal over fifty years ago – the original Nyingma Icons. It’s an amazing story.
Richard was one of the first hippies in Nepal with an interest in Buddhism. Coming across a copy of the History of the Nyingma Dharma he asked Dudjom Rinpoche, its author, whether he might have the tiny images that were contained within its pages copied and publish separately. Dudjom Rinpoche agreed.
So the following year, equipped with a letter supporting his request and a copy of the book, Richard scaled the steep path up through the Himalayan forest to the hermitage of Gomchen Auleshi, a yogi and artist he had met previously, and whom he hoped, using a brush and ink, would do the drawings for him. Auleshi agreed – on the proviso that Richard support him during the time this took. He was to bring him food each week, a little of the local moon-shine, and on one very cold day Auleshi requested a woollen blanket.
All these small details – and many others – Richard emailed to me during the two and a half years it took to write The Nyingma Icons: Deities, Masters and Guardians of the Inner Tantras, my most recent book, which combines Auleshi’s work with an explanation of each of the images.
Richard was quite extraordinary, really quite mad by most people’s standards. I have three photos of him, one during the late 1960s and several of more recent vintage when he was quite elderly. The earlier one shows a good-looking man with long straggly hair and beard, wearing a shawl in such a way as to suggest Tibetan robes. The later ones show an old hippy with an eccentric taste in colourful clothes and exotic jewellery – nothing much has changed.
Richard’s accounts of his travels were no less exotic. In the very first exchange, he told me about trekking shoeless in the Himalayas and the size of his blisters when he finally surrendered to wearing a pair of tennis shoes. Of how he travelled to the remote region of Dolpo on the Tibetan/Nepali border to learn the local dialects and how this was disastrous because those who had paid for the trip were actually Christian missionaries who intended to use his research to translate the Bible. And how on this trip he had taken a wild girlfriend who had promptly run off with the head of the romantic Khampa guerrilla fighters who sheltered in Dolpo between their raids over the border and into Tibet.
From my side this was all wonderful. It brought back to me a time I had known too, where the enormous generosity of the Tibetans to share their spiritual treasures was simply and immediately available, and yet to be shrouded by our colonisation and turning everything into a means to make a profit.
It may have been bizarre by conventional standards but it was authentic, intimate, heartfelt and true. Receiving Richard’s stories put me back in touch with myself. A younger self still full of integrity. A self less clouded.
And then they stopped. My emails asking for an address to send a copy of the book went unanswered. Finally, a mutual friend told me Richard had died. The book reached him ten days too late.

